Every wood paddle journey starts with raw wood, as the first image shows. Most colors in nature are muted. Some would say drab. Why is this? Does is take too much energy to produce a bright, vivid color? Does brightness attract unwanted attention from predators and hungry consumers? Does a relentless sun always win when it comes to UV rays damaging the pigment and chemistry of a vivid color?
Could be all of the above. Or none.
The blades in this first image are barnboard of unknown origin. Almost for sure it is pine. Most likely white pine. Age has faded what little color the wood may have originally had, but it is beautiful (to me anyway) and I enjoy the story this wood has. I’ll never know it absolutely, but it has to do with a tree that was probably growing when that old incorrigible, Chris Columbus, landed on our eastern shore and changed the world. That tree grew for the next couple hundred years until some immigrant arrived on the Wisconsin frontier and made their claim on the plot of land that included this tree. They cut it down and somehow milled it, turning it into the lumber that was then used to build their barn.
Maybe loggers clear cut the tree somewhere in northern Wisco and floated it down the Wisconsin river, to a mill, where it was then cut into lumber which the farmer subsequently purchased and hauled out to the farm and built the barn.
We’ll never know.
The red trim pieces are tropical in origin. Not sure which country. I can’t remember if the trim is bloodwood or bubinga. It might even be a third species. There are several tropical woods that are red like this and my eye cannot really identify which is which. They’re all red though. And fairly vivid at that. Why does wood native to the north american continent tend towards the drab, while off shore wood (either south america or africa) is frequently found in strong colors? Is it seasonal? Is it the soil? This is a whole new set of questions.
At any rate, the paddle building journey starts with raw wood and it tends to look drab. The final finish, ideally epoxy covered with a varnish containing UV inhibitors, provides the ‘pop’. Like this next picture.
This finished set of paddles both have epoxy and varnish covering the blades. Yes the lighting is different for the two images, but having taken both of these pictures, the impact that adding epoxy and varnish make is still quite strong.
The left paddle is cedar (bland NA origin wood) with purpleheart (vivid SA-origin wood; maybe African?) trim. The right side paddle is reclaimed redwood with walnut trim. Redwood is a strong exception to the color theory described above. Redwood is ONLY found on the NA continent and it is incredibly red. All by itself. Even in its raw state it is still a gorgeous dark red. Definitely not drab. The walnut trim complements the redwood (to my eye anyway) and is one of the most well known and popular NA woods to be found.
So like the old saw about journey and destination, it is good to keep in mind how visually stunning your finished paddle will be, while you happily enjoy the journey of the building project, all the while wondering what the raw drab wood will look like once that final finish brings it to life.
Happy trails! I hope they are wet!
PS 1 – Call me a hopeless capitalist, but I would be remiss if I neglected to add that all of these paddles can be built from quietwater kits.
PS 2 – Amanda from Canoecopia sent an email inviting quietwater paddles (and wavetrainSUP) to show and share what I do in paddle building. I accepted and will be hosting a table-sized chat up in the solarium Saturday starting at noon of 2020 Canoecopia. Come and see these paddles with your own eyes!